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Sound demos of each singing bowl, recorded for easy comparison.
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Product Specifications
This Tiger Eye chakra singing bowl set is played by striking the rim or by slowly circling the lip with a mallet, allowing the sound to build and settle over time.
Different techniques bring out different layers of tone, from a clear initial strike to a longer, sustained sound.
The Tiger Eye finish gives the bowls a darker, layered surface with natural variation across the set. The look is grounded and earthy, with subtle shifts in tone and pattern from bowl to bowl, making the visual character of the set as considered as its sound.
The set includes seven bowls across a range of sizes, moving from smaller, higher-pitched bowls through to larger bowls with deeper, slower-forming sound. Smaller bowls tend to sit higher in pitch and are often used when working with the upper and middle chakras, while the larger bowls produce lower tones commonly associated with the lower and middle chakras.
Used together, the set spans the chakra range and allows for a wide palette of tonal relationships.
Set sizes, weights, frequencies, notes & Chakras
13cm diameter · 7cm height · approx. 0.6kg
Low: 471 D4 Crown // High: 1292 E6 Solar19cm diameter · 9cm height · approx. 1.1kg
Low” 210 A3 Third Eye // High: 618 D#520cm diameter · 9cm height · approx. 1.2kg
Low: 193 G3 Throat // High: 550 C#521cm diameter · 10cm height · approx. 1.4kg
Low: 179 F3 Heart // High: 536 C#522cm diameter · 10cm height · approx. 1.4kg
Low: 155 E3 Solar // High: 454 A4 Third Eye23cm diameter · 10cm height · approx. 1.8kg
Low: 143 D3 Sacral // High: 427 A4 Third Eye25cm diameter · 10cm height · approx. 2.0kg
Low: 129 C3 Root // High: 378 G4 Throat
Some choose bowls by pitch when working with specific chakras, while others prefer to work across the full set in a more intuitive way. This Tiger Eye chakra singing bowl set supports both approaches.
Chakras guide
Our list below suggests frequencies for the different chakra centres.
Can’t find the frequency on the list? If you halve or double a frequency, it gives the same note an octave down or up: try doubling or halving your frequency until it falls in one of the ranges below. See examples:
Crown: 229.5-249.5Hz | Third Eye: 204-229.5Hz
Throat: 187-204Hz | Heart: 172-187Hz
Navel: 153-172Hz | Sacral: 136-153Hz
Base: 124.5-136Hz
Example 1: Take 108Hz. 108 x 2 = 216Hz … Third Eye Chakra.
Example 2: Take 972Hz. 972 / 2 = 486HZ. 486 / 2 = 243Hz … Crown Chakra.
Shipping & Returns
We dispatch most orders on the same day and ship across Australia and worldwide. Metro deliveries in Australia usually arrive within 2–5 business days, and express options are available at checkout; regional and international timeframes depend on the destination. You’ll receive tracking details when your parcel is on its way.
Need to return your order? Let us know within seven days of delivery. Please keep the item unused and in its original condition. Full details are in our Shipping & Returns policy.
Reviews
FAQs
How do people usually approach working with a full singing bowl set?
Many people begin by spending time with one bowl, noticing how each pitch feels on its own before combining sounds.
Others work with pairs or small groupings rather than the full set at once.
A larger set allows for this kind of gradual exploration, without needing to follow a fixed structure.
What makes this a chakra singing bowl set?
The bowls of the Tiger Eye chakra singing bowl set are arranged so their pitches relate to one another across the chakra range, rather than sitting as isolated tones.
This makes it easier to move between bowls or combine them, with a sense of flow from lower to higher pitches.
The set is designed to be experienced as a whole, while still allowing each bowl to be used on its own.
Are there other sound healing instruments that work well alongside singing bowls?
Yes. Some people like to pair singing bowls with instruments that bring a different kind of sound into the space.
Gentle bells or chimes can add light, precise accents between bowl tones, while gongs introduce broader, slower-moving sound that fills the room in a very different way.
Used together, these instruments offer contrast rather than overlap, letting each sound sit in its own place.
